REALISM
Ø
Emerged
in mid -19th century in France.
Ø
It
began after 1948 Revolution (February Revolution) in the painting which
rejected romantics.
Ø
It
is a broad reaction against idolization, historical representation and
imaginary world of romanticism.
Ø
Realism
is a unique movement in English Literature that looks at real life, real people
and real situations.
Ø
Victorian
Literature was marked with Realism.
Ø
It
began with Stendhal (aka Marie Henry Boyle) in French literature & Pushkin
in Russian literature.
Ø
Attempts
to represent truthful, accurate, objective, subject matter faithfully without
artificiality, avoids artistic conventions, Supernatural elements.
Ø
It
focused on contemporary rather than past.
Ø
Literary
realism attempts to represent familiar things as they are.
Ø
Realist
authors chose to depict every day and banal activities and experiences.
Ø
It
uses colloquial idioms every day speech, Omniscient Narrator who knows everything.
Ø
Ian
Watts in "The rise of the Novel (1957)" -argued that the ‘novel's
novelty is its formal realism’ with Examples of Defoe, Richardson &
Fielding's novels.
Ø
In
France Edmund Duranty began a journal called ‘Realisme’ in 1856
Ø
Many
protagonists in realist literature are women.
Ex. Emma Bavory in Madame Bavory
Anna Karenina
in Anna Karenina
Dorothea Casaubon
in Middle March
George Eliot's - 3 principles of realism are:
1.
Pursuit
of Truth: she says falsehood is so easy truth is so difficult.
2.
It
must be moralistic
3.
It
must be authentic
Key
terms:
Ø
Verisimilitude: true / real appearance, No super naturalism.
19th century -Realism-Represents
life as it is.
18th century -Romance
- Represent heroic than actuality.
Ø
The Quotidian: ordinary / common events of life such as / brushing
teeth /eating much.
Main Proponents are:
Ø
Flaubert
and Balzac- in France.
Ø
George
Eliot & Dickens - in England.
Ø
Dostoevsky
and Tolstoy - in Russia.
Ø
William
Dean Howells (Father of American Realism) & Henry
James -in America.)
Types of Realism:
1.Kitchen Sink Realism:
Ø This term was coined by an art critic David Sylvester.
Ø It is an offshoot (branch) of social realism that focuses on the lives of young working-class British men who spend their free time drinking in pubs.
Ø The setting here is mostly the bars, restaurants, kitchens etc.
Ø It explores taboo subjects such as adultery, pre-marital sex, abortion, and crime.
Ø ‘Room at the Top (1957)' by John Braine is a kitchen sink realist novel about a young man with big ambitions who struggles to realize his dreams.
Ø The other famous Kitchen Sink works are: Look back in Anger, My Flesh, My Blood, A Taste of Honey, Sparrows can’t Sing, Up the Junction, Cathy Come Homes, etc.
2.Magical Realism:
Ø
A
type of realism that blurs the lines between fantasy and reality.
Ø
Magical
realism portrays the world truthfully and adds magical elements that are not
found in reality but are still considered normal in the world.
Ø
In
simple words, Magical Realism is the combination of realistic fiction with
magical moments weaved in it.
Ø
‘One
Hundred Years of Solitude (1967)' by Gabriel Garcia Marquez is a novel of magical realism. It is the
story of a man who invents a town according to his own perceptions.
Ø
Midnight’s
Children by Salman
Rushdie: a novel that tells the story of Saleem Sinai, a boy who is born at the
exact moment of India’s independence and has telepathic powers. The novel
blends historical events, such as the Partition of India, the Emergency, and
the Bangladesh War, with magical elements, such as a secret conference of
children with supernatural abilities, a witch who can change her appearance,
and a man who can travel through time
Ø
Beloved by Toni Morrison
Ø
Other
important Magical Realism writers are: Salman Rushdie, Haruki Murakami, Nabarun
Bhattacharya, etc.
2. Social Realism:
Ø
A
type of realism that focuses on the real lives and living conditions of the
working class and the poor.
Ø
Draws
attention to the real socio-political conditions of the working class as a
means to critique the power structures behind these conditions.
Ø
It
aims to reveal tensions between an oppressive, hegemonic force and its victims.
Ø
‘Les
Misérables (1862)' by Victor Hugo is a social novel about class and
politics in France in the early 1800s.
Ø
The
Grapes of Wrath by John
Steinbeck.
4. Socialist Realism:
Ø
A
type of realism created by Joseph Stalin and adopted by Communists. Socialist
realism glorifies the struggles of the proletariat (working class people). It
was started in Russia.
Ø
‘Cement'
by Fyodor Gladkov (1925) is a socialist-realist novel about the struggles of
reconstructing the Soviet Union after the Russian Revolution.
5. Psychological Realism:
Ø
It
explores the inner thoughts, feelings, and motivations of the characters, often
using techniques such as stream of consciousness or unreliable narration
Ø
It
is a type of realism that is character-driven, focusing on what motivates them
to make certain decisions and why.
Ø
Psychological
realism sometimes uses characters to express commentary on social or political
issues.
Ø
‘Crime
and Punishment (1866)' by Fyodor Dostoyevsky is a psychological realist
novel about a man who plans to kill a man and take his money to get out or
poverty-but feels immense guilt after doing this.
Ø
Mrs
Dalloway by Virginia Woolf;
The Catcher in the Rye by J.D. Salinger
6.
Ø Naturalism is an extreme form of realism influenced by
Ø Charles Darwin's theory of evolution.
Ø Naturalism was founded by Emile Zola.
Ø It explores the belief that science can explain all social and environmental phenomena.
Ø 'A Rose for Emily (1930)' by William Faulkner is a short story about a recluse with a mental illness whose fate is already determined, is an example of naturalism.
Proponents:
Ø Daniel Defoe, Henry Fieldings and Samuel Richardson,
as realists, because they wrote about issues related to the middle class.
Ø
Joseph
Addison and Richard Steele also depicted life and society in its purest and truest
form in their essays.
George Eliot
Ø
She
translated David Strauss’ controversial work "The life of Jesus"
(1846), and Ludwig Feuerbach’s "The Essence of Christianity (1854)
Ø
Adam
Bede (1859)
Ø Silas Marner (1861).
Ø Danial Deronda (1874-76)
Ø
Middle
March: A study of Provincial life (8 parts- 1871-1872)- considered as the
most famous work of literary realism
Ø Mill on the Floss (1860)
Charles Dickens
Ø Great expectations(1838)
Ø Bleak House
Ø The life and Adventures of Nicholas Nickleby.
Daniel Defoe
Ø
Robinson
Crusoe,
Ø
Moll
Flanders
George Gissing
Ø
‘New
Grub Street’ (1891)
Ø
influenced
by Zola.
Balzac:
Ø
Le
Comedie Humanie (The Human Comedy)
Ø
It
is a series of novels & short stories over 80 works.
Master Pieces:
Ø
Cousin
Bette (1846)
Ø
Father
Goriot–a classical study
of French society. (A story of Eugene De Rastignac, poor law student and
Goriot, an old man)
Ø
He
produced an account of French society than all the historians
Gustave Flaubert
Ø
Madame
Bovary (1856) - a bout a
bored House wife who has affairs.
Ø
Sentimental
Education (1869) - This
Novel is about young man's love to an old woman.
Arnold Benette:
Ø
"Clay
hanger Trilogy” (1910-18),
Ø
Clay
hanger
Ø
Hilda
Le sways
Ø
These
Twain
Ø
The
Roll call
Ø
The
Old Wives tale (1908)
Leo Tolstoy :
Ø
War
and Peace (1969)
Ø
The
Death Ivan Ilyich ( )
Ø
Anna
Karenina
Ø
Dostoevsky:
Ø
Crime
and Punishment
Ø
Notes
from Underground (1864)
Anton Chekov:
Ø
famous
for his realist short stories.
Ø
Ex.
Gusev (1890)-short story about poor Gusev, who fell ill on a ship Journey, died
and buried at sea.
Ø
The
lady with the Dog
Ø
The
Cherry Orchard. (It is the last play by him in 1903)
William Dean Howells:
Ø Father of American Realism
Ø
He
advocated Verisimilitude (true/ real appearance No supernatural beings)
Ø
The
first American to bring realism to literature.
Ø
The
Rice of Laphan (1888) Crumbling Idols
(1894) – Verisimilitude
Ø
Criticism
& Fiction (1891) - he became famous with this.
Ø
“Realism is nothing more and nothing less than the truthful treatment of
material”-William
Dean Howells.
Mark Twain
Ø Real name is Samuel longhorns Clemens
Ø
Adventures
of Huckleberry Finnn.
Henry James:
Ø
(Brother
of William James)
Ø
Says,
“Novel is personal a direct impression of life,” in his essay The Art
of fiction (1884), which influenced Ezra pound and TS Eliot.
Novels:
Ø
The
American (1877)
Ø
The
Europeans (1878)
Ø
Daisy
Miller (1879)
Ø
The
portrait of Lady (1889)
Ø
The
Ambassadors (1903)
Ø
The
Golden Bowl (1904)
“The house of fiction has in short not one window, but a million, a
number of possible windows not to be reckoned, rather; every one of which has
been pierced, or is still pierceable, in its vast front, by the need of the
individual vision and by the pressure of the individual will.”
―
Henry James, The Portrait of a Lady
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