MCQs - "Immortality Ode" by Wordsworth
1. Identify the correct title of the poem?
A. Ode: Intimations of Immortality from
Recollections of Early Childhood
B. Ode- Intimations of Immortality and Recollections
of Early Childhood
C. Ode to Intimations of Immortality from
Recollections of Early Childhood
B. Ode on Intimations of Immortality and Recollections
of Early Childhood
2. “Ode: Intimations of Immortality from
Recollections of Early Childhood” is also known as:
A. Immortality Ode
B. Great Ode
C. Ode
D. All the above
3. Ode: Intimations of Immortality
was first published in the year ………..
A. 1802
B. 1807
C. 1815
D.
1820
4. Which literary movement is "Immortality Ode" associated with?
A. Romanticism
B. Realism
C. Modernism
D. Postmodernism
5. Which of the
following is NOT true about Immortality Ode
A.
First 4 stanzas were completed in 1802, remaining poem completed in 1804
B.
Coleridge wrote Dejection: An Ode in response to it
C.
It was published in ‘Poems, in Two Volumes’ in 1810
D.
The current title of the poem was given in 1815
6. Which of the following poems by
Coleridge was written in response to the Immortality Ode?
A. “The Rime of the Ancient
Mariner”
B. “Kubla Khan”
C.
“Dejection: An Ode”
D. “Christabel”
7. In "Immortality Ode," what is the central theme?
A. Death and immortality
B. Nature and beauty
C. Love and friendship
D. War and peace
8. What is the form of Ode: Intimations of Immortality?
A. A
regular Pindaric ode
B. An irregular Pindaric ode
C. A
Horatian ode
D. A Petrarchan sonnet
9. Who is addressed as "Thou" in the poem?
A. The speaker's friend
B. The speaker's child
C. The speaker's lover
D. The concept of immortality
10. Which literary device is prominently used in the line, “The
Child is father of the Man”?
A.
Metaphor
B. Paradox
C.
Simile
D.
Alliteration
11. The Epigraph of the poem "The child is father of the man" is taken from:
A. Tintern Abbey
B. My Heart Leaps Up
C. We Are Seven
D. The Prelude
12. According to the speaker, where does immortality reside?
A. In nature
B. In human memories
C. In physical objects
D. In religious beliefs
13. Wordsworth’s concept of Soul is partly inspired by?
A. Plato
B. Rousseau
C. Aristotle
D. Socrates
14. The phrase “humorous stage,” refers to
A. Chaucer’s Canterbury Tales
B. Shakespeare’s As You Like it
C. Coleridge’s Rime of Ancient Mariner
D. Spencer’s Faire Queen
15. Who said, “Immortality ode is a conscious
farewell to his art and give the sung over his departing power”?
A. Lionell Trilling
B. Mathew Arnold
C. Walter Scott
D. T S Eliot
16. What is the opening line of
Wordsworth's Ode: Intimations of Immortality?
A. "I wandered lonely as a cloud"
B. "The world is too much with us"
C. "There was a time when meadow, grove, and stream"
D. "Earth has not anything to show more fair"
17. What is the closing line of the Ode?
A. "To me the meanest flower that blows can give thoughts too deep for
tears."
B. "The child is father of the man."
C. "Nature never did betray the heart that loved her."
D. "Bliss was it in that dawn to be alive."
18. In the Immortality Ode, Wordsworth mourns the loss of:
A. Wealth and social status
B. Childhood's magical view of nature
C. Romantic love and passion
D. Religious faith in adulthood
19. The immortality is referred in the poem as
A. Heart
B. Mind
C. Soul
D. Body
20. In the Ode, the "imperial
palace" metaphor refers to:
A. A king's abandoned castle
B. The soul's heavenly origin before birth
C. A school where children are disciplined
D. The beauty of mountain peaks
21. In the opening lines, Wordsworth believed
that the child is under the influence of………….
A. Parents
B. Friends
C. Heaven
D. School
22. The "prison-house" in the Ode symbolizes:
A. A child’s fear of darkness
B. The loss of spiritual vision as we grow older
C. The cruelty of 19th-century orphanages
D. Wordsworth’s dislike of cities
23. Who said it about Immortality Ode: "There
are certainly some pieces there which are good for nothing….”.
B.
Coleridge
C.
Walter Scott
D.
Lord Byron
24. Who praised this poem as: “It is the
high-water mark of poetry in the 19th century”
A. Emerson
B. Francis
Jeffery
C. Walter Scott
D. Southey
25.Who dismissed this poem as Wordsworth's
"innocent odes"
A. Francis
Jeffery
B. Coleridge
C. Emerson
D. Lord Byron
26. What is the "visionary gleam" that the speaker describes?
A. The light of the setting sun
B. children’s vision of nature
C. A flashlight beam at night
D. The light of imagination and creativity
27. What does the speaker mean by "trailing clouds of glory"?
A. The stormy clouds in the sky
B. The memory of great achievements
C. The beauty of nature
D. The joys of childhood
28. The phrase "Mighty Prophet, Seer Blest!" describes?
A. Nature
B. Death
C. God
D. Child
29. According to the speaker, how can one achieve immortality?
A. Through great accomplishments
B. Through religious devotion
C. Through love and friendship
D. Through the memories of childhood
30. What is the role of nature in "Immortality Ode"?
A. To provide a setting for the speaker's reflections
B. To represent the cycle of life and death
C. To inspire the speaker's creativity
D. All of the above
31. Which of these lines does NOT appear
in Wordsworth's Ode: Intimations of Immortality?
A. "The sunshine is a glorious
birth"
B. "Our birth is but a sleep and a forgetting"
C. "The world is too much with us"
D. " The things which I have seen I now can see no
more "
32. Which of the following is not a phrase in the poem?
A. The vision splendid
B. The immortal sea
C. fluttering in his breast
D. Nature never did betray
33. "Thou Child of Joy!" (Line 118) directly addresses the child,
using:
A. Apostrophe
B. Personification
C. Hyperbole
D. Onomatopoeia
34.. The "celestial light" (Line 4)
symbolizes:
A. Divine vision in childhood
B. Literal sunlight
C. Enlightenment philosophy
D. Fear of darkness
35. "Whither is fled the visionary gleam?
/ Where is it now, the glory and the dream?" (Lines 56-57) demonstrates:
A. End-stopping
B. Enjambment
C. Caesura
D. Hemistich
Answers:
Immortality
Ode |
|||||||||
1. A |
2.
D |
3. B |
4. A |
5. C |
6. C |
7. A |
8. B |
9. D |
10. B |
11. B |
12. B |
13. A |
14. B |
15. A |
16. C |
17. A |
18. B |
19. C |
20. B |
21. C
|
22. B |
23. C |
24. A |
25. D |
26. B |
27. D |
28. D |
29. D |
30. D |
31. C |
32. D |
33. A |
34. A |
35. B |
36. |
37. |
38. |
39. |
40. |
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